{"id":35540,"date":"2026-10-26T03:13:14","date_gmt":"2026-10-26T10:13:14","guid":{"rendered":"https:\/\/vlaff.org\/?page_id=35540"},"modified":"2026-11-02T00:02:07","modified_gmt":"2026-11-02T08:02:07","slug":"the-nook-el-rinconcito","status":"publish","type":"page","link":"https:\/\/vlaff.org\/es\/the-nook-el-rinconcito\/","title":{"rendered":"The Nook"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The Nook \/ El Rinconcito<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

In Solidarity with Indigenous Peoples<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

VLAFF\u2019s Nook \/ El Rinconcito is a hybrid space that invites audiences to engage with Indigenous artists, creative work, and critical issues beyond Land Acknowledgements through a variety of mediums\u2014including film, music, poetry, food recommendations, calls to action, and more.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The project was created by Valentina Acevedo Montilla (Managing Director), Mirella Reichenbach Livoti (Development Coordinator) and Dani Rodriguez Chevalier (Festival Coordinator), and it grows directly from VLAFF\u2019s earlier work with Taajuu Consulting\u2014an anti-oppression, Indigenous, and 2SLGBTQIA+ owned and operated group based on Treaty 1 territory.<\/p>

Having worked together since 2024, VLAFF and Taajuu\u2019s collaboration has mostly involved diving deeper in the practice of Living Land Acknowledgements, a more relational approach to formal statements that recognizes one\u2019s ongoing and evolving commitment to the land and Indigenous people as well as the direct and collateral harm that has been done to such communities.<\/p>

We have continued that work with the 2nd Emerging Latine Programmers Cohort, whose thoughtful and collective reflections are the foundation of VLAFF\u2019s current Living Land Acknowledgement, and we have also expanded this work into the creation of the Nook.<\/p>

To celebrate the premiere of the physical Nook during VLAFF\u2019s 24th edition, we rolled in a charming wooden cart and seating bench, creating a welcoming, traveling bookshelf packed with curated poetry, fiction, academic, and creative titles. In honor of this exciting launch, our public programming series featured an unforgettable Indigenous Storytelling Night.\u00a0<\/span><\/p>

The event brought our community together for a special screening of the short film <\/span>Our Grandmother the Inlet<\/span><\/i> by filmmakers Kayah George and Jaime Leigh Gianopoulos, alongside a heartfelt live poetry performance by writer and educator Selina Boan.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a0<\/p>

Below find our current Living Land Acknowledgement, some more context as to our work with Taajuu Consulting, the history of the section “Films from Turtle Island & Beyond,” and the directory for the materials available at the Nook.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
lIVING LAND ACKNOWLEDGEMENT <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

With respect and gratitude, the Vancouver Latin American Film Festival acknowledges that it takes place on the ancestral and unceded territory of the Coast Salish Peoples, including the territories of the h\u0259n\u0313q\u0313\u0259min\u0313\u0259m\u0313-speaking x\u02b7m\u0259\u03b8kw\u0259y\u0313\u0259m (Musqueam) and S\u0259l\u0313\u00edlw\u0259ta\u0294\/Selilwitulh (Tsleil-Waututh) Nations, and the S\u1e35wx\u0331w\u00fa7mesh Sn\u00edchim-speakig Skwxw\u00fa7mesh (Squamish) Nation. We believe that having access to the language(s) of our communities and ancestors allows us to be connected to culture, and at VLAFF we are proud to showcase multiple languages from across Turtle Island & Abya Yala in our film programs.<\/p>

In June 2026, the Emerging Latine Film Programmers delivered a woven living land acknowledgement, which we\u2019d like to highlight here:<\/p>

Migration is part of the living world. Salmon return to their rivers, geese cross continents, butterflies travel vast distances. Yet imperialism and colonialism create a paradox: they move across territories, extract, and transform ecosystems, and colonialism settles, all while simultaneously restricting human movement through borders, checkpoints, and walls. Our understanding of migration cannot be separated from histories of conquest, displacement, exploitation, and extraction.
Our access to safety, healthcare, arts, and cultural spaces is tied to these histories. What does it mean to inherit such privileges while others continue to endure dispossession and violence?<\/p>

We gather on the ancestral and unceded lands of the Coast Salish peoples. As migrants and settlers, we reflect on what it means to gather here. These lands carry wounds and memory. In the late 1800s, on the land we stand on, Musqueam, Squamish, and Tsleil-Waututh communities were forcibly removed from villages they had called home for thousands of years. Their houses were burned. Their burial grounds were dug up. The Ancestral names of these places were replaced with colonial names, while Indigenous testimonies about the land were dismissed in their courts. Even two years ago, the City of Vancouver formally acknowledged that its Heritage Register continued to reproduce this erasure. This is not distant history. It is ongoing.<\/p>

The same logics of dispossession continue across the world\u2014in Palestine, Sudan, Myanmar, the Democratic Republic of the Congo, and elsewhere. While each struggle is distinct, they are connected through systems that treat land, people, and life itself as resources to be controlled.<\/p>

Many of us who come from Latin America, where similar colonial patterns unfolded across centuries: lands seized, languages suppressed, names replaced, histories rewritten. Today, imperialist powers like the US are recreating these patterns in our region. The stories and films we share carry traces of these histories and current moments. They are part of a larger fabric of resistance, survival, and remembrance that extends across territories. Decolonization is not symbolic and it is not one-size-fits-all. It requires ongoing relationships, learning, and action.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
STAGES OF COLLABORATION WITH TAAJUU CONSULTING <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

VLAFF began collaborating with Taajuu Consulting in 2024 during the first Emerging Film Programmers Mentorship Program. The ongoing partnership between Taajuu and VLAFF\u00a0 has been central to how the festival and its staff engage with Indigenous knowledge, storytelling, and sovereignty. The learning we experience together allowed us to create meaningful, accountable connections between Indigenous and Latine communities as well as public programming opportunities for VLAFF audiences centering Indigenous voices and creators.\u00a0<\/p>

The main topic of exploration during these earlier stages of collaboration were pathways for solidarity among Latine migrant communities and Indigenous communities from these lands. Through continuous dialogue and feedback, the first film programmers mentorship cohort crafted land acknowledgments that established bridges between current social justice struggles, Indigenous issues, and the content of our film program, which were presented before screenings at our 22nd edition.\u00a0<\/p>

The third and main stage of the Nook\/ El Rinconcito has been a collective effort among VLAFF staff members on creating a compendium, the Digital Nook, of the different strategies and initiatives that the festival has led to bring more attention to Indigenous creators and issues across the years, and to provide a directory of the materials we have chosen to share with VLAFF goers and communities. We are interested in building on the practice of Living Land Acknowledgements by creating more ongoing, accessible, and tangible opportunities for engagement: places where someone might encounter a book, discover an artist, watch a short film, listen to a musician, learn about a local initiative, explore the work of Indigenous filmmakers who have been part of our programs, or follow their curiosity somewhere new.<\/p>

Our collaboration with Taajuu restarted in 2026 through two parallel mentorships:\u00a0 the second Emerging Film Programmers cohort, and the position of Development Coordinator, filled by Mirella Livoti. While the idea of Nook\/ El Rinconcito was slowly taking shape, the new film programmers mentorship cohort worked alongside Taajuu on building land acknowledgements that related to who they are as individuals. These land acknowledgements were presented in June at 2026 Emerging Latine Creators Showcase.\u00a0<\/p>

We are grateful to Yahlnaaw and Azka from Taajuu Consulting for their guidance and partnership. We also extend our gratitude to Lucas, who participated in our collaboration in 2024.\u00a0<\/p>

Check out Taajuu’s website here<\/a>.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Standard<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$13 | This is our standard ticket price and helps us cover the core costs of running the festival.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Discounted <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$10 | For students, seniors (65+), or anyone who needs a reduced price, no questions asked.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Extra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$15 | If you’re able to pay a little more, thank you! This helps us keep tickets accessible for others. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
HISTORY OF FILMS FROM TURTLE ISLAND & BEYOND <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Welcome to Films from Turtle Island and Beyond<\/b><\/b><\/p>

We are Akira and Masa\ua78bn, the curators for \u201cFilms from Turtle Island and Beyond,\u201d the category at VLAFF that focuses on cinema created by filmmakers from Nations that are so-called Indigenous across the so-called North and South American continents.<\/span><\/b><\/p>

I am Akira Iahtail, and I am from amiskwaciw\u00e2skahikan, also known as Edmonton, AB, in Treaty 6 territory. Maternally, I am Me\u0301tis and nehiyaw from Bigstone Cree Nation in Treaty 8 territory. Paternally, I am Omushkego from Attawapiskat First Nation in Treaty 9 territory, which I am a registered member of. Now, I reside on the unceded lands of the x\u02b7m\u0259\u03b8k\u02b7\u0259y\u0313\u0259m (Musqueam), S\u1e35wx\u0331w\u00fa7mesh (Squamish) and s\u0259lil\u0313w\u0259ta\u0294\u026c (Tsleil-Waututh) peoples.<\/span><\/b><\/p>

I am Masa\ua78bn Galindo and live in Durango. Maternally, I am from Kokma\ua78bsu\ua78bsdai\ua78b and paternally from Gavilanes, both are anexos that are part of the comunidad agraria Jukt\u0268r, Santa Mar\u00eda de Ocot\u00e1n, one of the seven O\ua78bdam and Au\ua78bdam communities that conforms our territory in M\u00e9xico.\u00a0<\/span><\/b><\/p>

In 2022 we started working together as programmers and curators of the category \u201cIndigenous Filmmakers from Latin America and Canada.\u201d The moment that we began, we talked about the way that the Indigenous category generalizes and homogenizes the experiences, histories and ways of life of all the different Nations that are encapsulated within that category. For us, it was important to focus on the territory that we all share, rather than centering a political category (Indigenous) that was created by the states that continue the colonization in our lands and Nations. We understand that each Nation dwells in their own way throughout these continents and we want to embrace and celebrate that diversity.\u00a0<\/span><\/b><\/p>

In our discussions, we realized how it was necessary to recognize where this festival takes place. The name that many, not all, but many Indigenous Nations across so-called Canada and the United States call this land Turtle Island. Rather than simply calling it \u201cFilms from Turtle Island,\u201d which does not acknowledge the diversity of films we receive from throughout Latin America, we recognize that many films we feature are not only from Turtle Island, but beyond to our Indigenous kin across so-called South America.\u00a0<\/span><\/b><\/p>

Since we began curating this program in 2022, we have received more and more submissions to our program. The submissions reflected a huge diversity of filmmakers who share different stories, formats, genres, etc. and because of that, we wanted the program to include not only shorts but features because it showcases the diversity and range of Indigenous filmmakers throughout the continents.\u00a0<\/span><\/b><\/p>

Each year the conversations, topics, and stories within our program focus on conversations that are necessary to address, like intergenerational trauma, futurism, exploitation of land and ceremony, ancestral traditions, and more. As programmers, we try to embrace it and make it part of the dialogues with the filmmakers but also within the movies through the programs we curate. After many years of being witness to the work of hundreds and hundreds of filmmakers, we have embraced the privilege to see how filmmakers tell their stories, take risks, be critical with themselves and communities, explore various formats and narratives without fear. Because of that, we invite everyone to see and explore these cinemas that break categories, borders and invite you to question yourself too.\u00a0<\/span><\/b><\/p>

kinan\u00e2skomitin, taxchab, gracias, thank you,<\/span><\/b><\/p>

Akira and Masa\ua78bn<\/span><\/p>

Indigenous Film From BC & Beyond – A Beginning<\/b><\/p>

In 2011, the City of Vancouver recognized its 125th anniversary since its incorporation as a city. As part of the celebrations, there was increased awareness that the land and waters that the City of Vancouver came to exist on needed to be recognized first as the traditional, ancestral, and unceded territory of the Coast Salish Peoples, including the territories of the x\u02b7m\u0259\u03b8kw\u0259y\u0313\u0259m (Musqueam), Skwxw\u00fa7mesh (Squamish), and S\u0259l\u0313\u00edlw\u0259ta\u0294\/Selilwitulh (Tsleil-Waututh) Nations.\u00a0<\/span><\/p>

With grants from the City of Vancouver and BC Arts Council, Festival Director Christian Sida Valenzuela, Festival Manager Lisa Pearlman, and Programmer Anne-Mary Mullen organized \u00a1Fiesta 125! A Celebration of Latin American Culture in Vancouver featuring works by local Latin-Canadian filmmakers alongside Indigenous Film From BC & Beyond, a program of Indigenous films from across Canada and Latin America.\u00a0<\/span><\/p>

This marked the first time VLAFF brought together Indigenous filmmakers from across the continents to showcase their work side by side.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Standard<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$18 | This is our standard ticket price and helps us cover the core costs of running the festival.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Discounted <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$15 | For students, seniors (65+), or anyone who needs a reduced price, no questions asked.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Combo Ticket: Opening Night Film + Party at The Pearl<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$25 | Make a night of it!<\/b> This combo ticket gets you into both our <\/span>Opening Night Film<\/b> and the <\/span>legendary after-party at The Pearl<\/b> with live music, dancing, and all the festival feels.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
THE NOOK\u2019S DIRECTORY <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The materials selected for the Nook\/ El Rinconcito are grounded in our affective connections and familiarity with the work of Indigenous creators, which we have encountered along our unique journeys as Latin American immigrants to Canada. We decided to organize these materials according to some of the most emblematic sections of VLAFF\u2019s program as a way to guide our process, but by no means do these groupings represent limiting categories.\u00a0<\/span><\/p>

Throughout the development of this project, which took over 9 months, we gathered and consulted with many VLAFF team members. The input and care of the Emerging Latine Programmers Cohort, as well as the recommendations by Akira Iahtail and Masa\u2019n Galindo, co-curators of the shorts program Films from Turtle Island & Beyond, have been vital contributions to this work.\u00a0<\/span><\/p>

This is a new intitiative which we intend to keep nurturing, and we welcome community feedback. For any feedback or suggestions, contact us at info@vlaff.org<\/b> \u200b<\/p>

Click on the names of artists, creators and materials and explore their websites!<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

New Directors \/ First Strides\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Vanguardias<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Cinema & Literature\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

A possible space for artists making early or formative strides in their creative practices, mirroring VLAFF\u2019s interest in emerging voices.\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Experimental, interdisciplinary and future-facing practices across visual art, film, performance, literature, and other media.\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Books, poetry and writing that audiences can spend time with inside the Nook and that create connections with VLAFF\u2019s Cinema & Literature programming.\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Photographer: Jake Kimble <\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Visual Artist: Manuel Axel Strain \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Illustrator: Cole Pauls \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Poet\/ MC: Derek \u201cManik\u201d Edenshaw \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Sci-Fi Machina Series: TimeTraveller\u2122\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Podplay Video: Ashes on the Water\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Virtual Reality: Inherent Rights Series \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Manga: Carpe Fin: A Haida Manga <\/i>\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Public Art Project: Cliff Painting<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Book: Rehearsals for Living <\/i><\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Book: Islands of Decolonial Love <\/i>\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Installation Piece\/ Water-monitoring Robots: Poz\u00fck\ua78be\u00f1a (v\u00edvora de agua) <\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Undoing Hours<\/i> by Selina Boan <\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Exhibitionist<\/i> by Molly Cross-Blanchard<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

A Family of Dreamers <\/i>by Samantha Nock\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

#IndianLovePoems<\/i> by Tenille K. Campbell\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Teeth<\/i> by Dallas Hunt\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u00a1Activismo!\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Films from Turtle Island & Beyond\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Queer Pix\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Resources connected to land, environmental justice, Indigenous sovereignty, organizing, and calls to action.\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

One of VLAFF\u2019s oldest programs, which began 15 years ago, featuring Indigenous films from Turtle Island, colonially-known Canada, and Abya Yala, colonially-known Latin America. This program is co-curated by Akira Iahtail and Masa\u2019n Galindo who were involved in the selection of materials and works for the Nook\/ El Rinconcito, plus other Indigenous filmmakers.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Writing that creates connections with Queer Pix and Indigenous queer and Two-Spirit storytelling. \n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Youth-led Collective: Lax'Yip Firekeepers\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Digital Archive\/ Website: Warrior Publications<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Report: Violence on the Land, Violence on Our Bodies<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Memoir: As We Have Always Done<\/i><\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Poetry Collection: Te encontrar\u00e9 en el bonrro, Mizhokjimi m\u00edo<\/i><\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Filmmaker: Siku Allooloo\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Writer\/ Director: Lindsay McIntyre\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Hybrid Documentary\/ Short Film: Our Grandmother the Inle<\/i>t\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Short Film: \u00d1uu Kanda (Pueblo en movimiento) <\/i>\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Short Film: Terror\/Forming<\/i> \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Animation\/ Short Film: Inkwo for When the Starving Return<\/i> \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Animation: p\u00eek\u00eew\u00ee<\/i>\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

it was never going to be okay<\/i> by jaye simpson \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

This Wound is a Wo<\/i>rld by Billy Ray Belcourt\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Johnny Appleseed<\/i> by Joshua Whitehead\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u00a1As\u00ed Suena! Turtle Island\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u00a1As\u00ed Suena! Abya Yala\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u00a1As\u00ed Sabe!<\/h4><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Music and sound are central to The Nook, inviting visitors to discover Indigenous musicians and artists based locally and from across Turtle Island and Abya Yala. Explore our curated playlist on VLAFFTV<\/b>, our YouTube channel. <\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Music and sound are central to The Nook, inviting visitors to discover Indigenous musicians and artists from across Abya Yala. Explore our curated playlist on VLAFFTV<\/b>, our YouTube channel. <\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Food, cookbooks, recipes, and food writing that can connect learning with everyday practices and Indigenous food knowledge.\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Tanya Tagaq <\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

PIQSIQ<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

The Halluci Nation<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Elisapie<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Tia Wood\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Jason Camp and the Posers\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Nimkish<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Xiuhtezcatl\u200b<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Black Belt Eagle Scout\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

The Native Hip Hop Society<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

MALIXITA<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Biawanna<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Sak Tzevul<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Lila Downs\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Snotty Nose Rez Kids<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Sekawnee <\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Kin Balam <\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

KeAloha<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

CiTRs Unceded Airwaves Radio Show\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Spoken Word Artist: Mitcholos Touchie\n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Renata Flores\u200b<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

A.CHAL<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Alwa Bolivia\u200b<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Kat\u00fa Mirim<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Ka\u00ea Guajajara\u200b<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Br\u00f4 MC's<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Nina Uma\u200b<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

List of Cookbooks: Indigenous and Traditional Foods \n<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Children\u2019s Book: Aw\u00e2sis and the World-Famous Bannock <\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Zine: Hungry Zine, Issue 05 - Land and Water\u200b<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Restaurant: Salmon & Bannock<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Standard<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$15 | This is our standard ticket price and helps us cover the core costs of running the festival.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Discounted <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$13 | For students, seniors (65+), or anyone who needs a reduced price, no questions asked.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Extra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$18 | If you’re able to pay a little more, thank you! This helps us keep tickets accessible for others. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Super <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$21 | A way to show extra support for the festival and its artists. Your generosity helps us grow and sustain this work.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

First Movie Combo: Ticket + Membership <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$17 | For first-time attendees: includes your festival ticket + required $3 membership.<\/span><\/p>

Available at The Cinematheque <\/span>and online.<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

First Movie Combo: Ticket + Membership <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$17 | For first-time attendees: includes your festival ticket + required $3 membership.<\/span><\/p>

Available at The Cinematheque <\/span>and online.<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Standard<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$15 | This is our standard ticket price and helps us cover the core costs of running the festival.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Discounted <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$13 | For students, seniors (65+), or anyone who needs a reduced price, no questions asked.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Extra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$18 | If you’re able to pay a little more, thank you! This helps us keep tickets accessible for others. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Super <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$21 | A way to show extra support for the festival and its artists. Your generosity helps us grow and sustain this work.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

First Movie Combo: Ticket + Membership <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$17 | For first-time attendees: includes your festival ticket + required $3 membership.<\/span><\/p>

Available at The Cinematheque <\/span>and online.<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

First Movie Combo: Ticket + Membership <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

$17 | For first-time attendees: includes your festival ticket + required $3 membership.<\/span><\/p>

Available at The Cinematheque <\/span>and online.<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t