{"id":29845,"date":"2025-06-13T11:56:25","date_gmt":"2025-06-13T18:56:25","guid":{"rendered":"https:\/\/vlaff.org\/?post_type=tribe_events&#038;p=29845"},"modified":"2026-07-22T11:15:29","modified_gmt":"2026-07-22T18:15:29","slug":"im-still-here","status":"publish","type":"tribe_events","link":"https:\/\/vlaff.org\/es\/event\/im-still-here\/","title":{"rendered":"I\u2019M STILL HERE"},"content":{"rendered":"<p><em>Ainda Estou Aqui<\/em><\/p>\n<p>Director: Walter Salles<br \/>\nBrazil | 2023 | Portuguese with English subtitles | 137 min | Narrative<\/p>\n<p><strong>The latest from <em>The Motorcycle Diaries<\/em> director Walter Salles focuses on the real-life story of Eunice Paiva (Fernanda Torres), whose terrifying experience of sequestration and loss during Brazil\u2019s military dictatorship transformed her into an activist, lawyer, and hero.<\/strong><\/p>\n<p>In 1971, Brazil faces the tightening grip of a military dictatorship. Eunice Paiva, a mother of five children, is forced to reinvent herself after her family suffers a violent and arbitrary act by the government. Based on Marcelo Rubens Paiva&#8217;s biographical book, the film tells the true story that helped reconstruct an important part of Brazil\u2019s hidden history.<\/p>\n<p>Em 1971, o Brasil enfrenta o aperto de uma ditadura militar. Eunice Paiva, m\u00e3e de cinco filhos, \u00e9 for\u00e7ada a se reinventar ap\u00f3s sua fam\u00edlia sofrer um ato violento e arbitr\u00e1rio do governo. Baseado no livro biogr\u00e1fico de Marcelo Rubens Paiva, o filme conta a hist\u00f3ria real que ajudou a reconstruir uma parte importante da hist\u00f3ria oculta do Brasil.<\/p>\n<p class=\"p1\"><b>Best International Film, Oscar Academy, 2025<\/b><\/p>\n<p class=\"p1\"><b>Winner of the Best Screenplay Award, Venice Film Festival 2024<\/b><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Ainda Estou Aqui Director: Walter Salles Brazil | 2023 | Portuguese with English subtitles | 137 min | Narrative The latest from The Motorcycle Diaries director Walter Salles focuses on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":29849,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[98,63],"tribe_events_cat":[60],"class_list":["post-29845","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-98","tag-brazil","tribe_events_cat-international-hits","cat_international-hits"],"acf":[],"_links":{"self":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events\/29845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":6,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events\/29845\/revisions"}],"predecessor-version":[{"id":34427,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events\/29845\/revisions\/34427"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/media\/29849"}],"wp:attachment":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/media?parent=29845"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tags?post=29845"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events_cat?post=29845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}