{"id":30010,"date":"2025-06-24T11:25:05","date_gmt":"2025-06-24T18:25:05","guid":{"rendered":"https:\/\/vlaff.org\/?post_type=tribe_events&#038;p=30010"},"modified":"2026-07-22T11:16:17","modified_gmt":"2026-07-22T18:16:17","slug":"chronicles-of-the-absurd","status":"publish","type":"tribe_events","link":"https:\/\/vlaff.org\/es\/event\/chronicles-of-the-absurd\/","title":{"rendered":"CHRONICLES OF THE ABSURD"},"content":{"rendered":"<p>Dir. Miguel Coyula | Cuba, 2024<br \/>\nSpanish with English subtitles | 77 min | Narrative<\/p>\n<p><em>\u201dHad Kafka been Cuban, he would have been a non-fiction writer.\u201d Virgilio Pi\u00f1eiro<\/em><\/p>\n<p>En Cuba, la legitimidad y la subsistencia art\u00edstica requieren el reconocimiento oficial de una instituci\u00f3n estatal. Trabajar de forma independiente implica tener escasos ingresos y derechos limitados, y, como aprendieron el cineasta Miguel Coyula y la actriz Lynn Cruz durante el rodaje de su pel\u00edcula dist\u00f3pica Coraz\u00f3n azul en 2011, estar sujetos a diversas formas de control e intimidaci\u00f3n. Mientras tanto, fuera de Cuba, los cr\u00edticos antirr\u00e9gimen se muestran igualmente dogm\u00e1ticos y silenciadores. Una obra desafiante y entretenida que se enfrenta a limitaciones extremas, Cr\u00f3nicas del Absurdo utiliza con picard\u00eda retratos y avatares para visualizar grabaciones de audio (a menudo grabadas clandestinamente) y textos textuales que documentan a\u00f1os de imposiciones kafkianas, amenazas y arte disidente vital.<\/p>\n<p><strong>Winner. Best Film. Envision Competition. IDFA -Amsterdam Documentary FF- 2024<br \/>\nWinner. Special Jury Award. Avant-garde and Genre Competition. BAFICI -Buenos Aires FF- 2025<br \/>\n<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Dir. Miguel Coyula | Cuba, 2024 Spanish with English subtitles | 77 min | Narrative \u201dHad Kafka been Cuban, he would have been a non-fiction writer.\u201d Virgilio Pi\u00f1eiro In Cuba, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":30011,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[98,72],"tribe_events_cat":[75],"class_list":["post-30010","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-98","tag-cuba","tribe_events_cat-vanguardias","cat_vanguardias"],"acf":[],"_links":{"self":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events\/30010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":6,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events\/30010\/revisions"}],"predecessor-version":[{"id":34428,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events\/30010\/revisions\/34428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/media\/30011"}],"wp:attachment":[{"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/media?parent=30010"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tags?post=30010"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/vlaff.org\/es\/wp-json\/wp\/v2\/tribe_events_cat?post=30010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}