A Peruvian father labours patiently, chipping at the white volcanic stone that forms an extraordinary landscape. His son is part of the modern world: he uses cameras and drones in order to create the digital model of a church on a computer. Separated by the mysterious death of the wife/mother figure in the family, these men do not connect, and yet their paths cross in a ghostly manner.

Preceded by THE VAMPIRES OF POVERTY (1977, 28 min)
A classic film of Colombian cinema by directors Carlos Mayolo & Luis Opsina that simulates being a documentary about filmmakers who exploit misery with mercantilist purposes. It is a scathing criticism of “porno-misery” and the opportunism of the dishonest documentary making “socio-political documentaries” in the third world to sell them in Europe and win prizes.