Born in Germany yet Argentine by choice, Narcisa Hirsch was the pioneer of Argentine experimental cinema. This selection of six short films approaches Narcisa’s work from its beginnings in the late 1960s up to her last film Materia Oscura (2023).

Narcisa’s gaze is expansive, it cuts across forms and the reflections it creates leave us in a narcotic state in which time and space slowly transform. She described this process as follows: “Cinema is what flows and leaves, that which doesn’t stay, an image every twenty-fourth of a second; cinema is being a dark room with others sharing a ritual. Yet, above all, it is the luminosity of the images, images that in being projected make visible other images, the internal, the ones that are kept, the dark and forgotten ones, in that beam of light that travels through the terrain to uproot us from where we are sitting and leave us melting with this light in a quasi passionate encounter.”